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Popcorn Reviews
With Cybèle: Waterdance
By Cybèle Elaine Werts
CybeleW@aol.com
First published
in the Shelburne News, Shelburne Vermont
Popcorn Kernel Rating: 3 Kernels
- Not a wild Friday night film, but definitely strong and
contemplative fare those of you who like thinking films.
Sometimes I think I’ve seen enough martyr
movies to choke a cow. You know, main character is paralyzed;
got a head trauma; Lou Gherig’s disease; Alzheimer’s; AIDS
or whatever. Character goes through five stages of grief: anger,
depression and etc.etc.etc. Character shows TRUE character,
rises above it all, and goes on to Make A Difference In This
World. These TV movies are so predictable that you can turn the
TV off after the opening credits; all the good stuff was in the
previews.
The truth is, I only rented Waterdance because
Wesley Snipes is on the box, and I was turned on by his rippled
abs and authoritarian voice barking "Always bet on
black!" in Passenger 57. Call me shallow and
superficial if you must, but at least I know what my priorities
are. In Waterdance, Snipes and a cast of unknowns are in
convalescence for spinal chord injuries, the perfect setting for
another martyr movie. I was wrong though, about his abs and the
martyr thing too. I think this was pre-rippled abs stardom, and
not a single character glistened with courage and strength. Only
real people peopled this film. Strong and sometimes sickly.
Cranky and sometimes quiet. Fearful and sometimes not. No
soaring musical interludes of faith overcoming all problems,
just a bunch of guys dealing with fear and getting on with it.
Helen Hunt, in her pre As Good As It Gets skintight-shirt days,
followed up with a quiet but not too self effacing presence.
Cogent acting, creative dialogue and a firm grip on reality make
this video worth renting.
Suggested Gustatorial Accompaniment: What
do non-martyrs eat? I’m at a loss on this one. I myself was
masticating Riesen chocolate chews (God’s gift to chocolate
lovers) but I’m unable to fabricate any meaning to the choice
of munchies.
Copyright 2000
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